No hay sorpresa o no
debiera haberla. En Puerto Rico, hemos experimentado con movilizaciones
digitales por años y cada una con sus diferencias y elementos comunes. Desde
los shows de “la escena” autogestionados en Pulso Rock a finales de los 1990s y
principios del 2000 hasta las huelgas de la iupi (UPR) de 2010-11, ya hay un “cúmulo”
de experiencias en cuanto a comunicación, organización y movilización desde Internet.
Del consumo a la articulación de movimientos sociales, Internet enmarca cómo
respondemos e intervenimos en nuestra materialidad. Es mucho más que una mera
herramienta –algo que una vez propuse sin matizar y de lo que hoy me distancio–, pues es
un lugar de agenciamiento para sus usuarias así como territorio que
informa cómo sus usuarias se identifican y son identificadas.
Saturday, December 8, 2012
De(s)conexiones
Etiqueta(s):
Medios sociales,
Teoría crítica
Tuesday, November 13, 2012
Félix Guattari on time and subjectivity
"In this conception of analysis, time is not something to be endured; it is activated, oriented, the object of qualitative change. Analysis is no longer the transferential interpretation of symptoms as a function of a preexisting, latent content, but the invention of new catalytic nuclei capable of bifurcating existence. A singularity, a rupture of sense, a cut, a fragmentation, the detachment of a semiotic content – in a dadaist or surrealist manner – can originate mutant nuclei of subjectivation. Just as chemistry has to purify complex mixtures to extract atomic and homogeneous molecular matter, thus creating an infinite scale of chemical entities that have no prior existence, the same is true in the 'extraction' and 'seperation' of aesthetic subjectivities or partial objects, in the psychoanalytic sense, that make an immense complexification of subjectivity possible – harmonies, polyphonies, counterpoints, rhythms and existential orchestrations, until know unheard and unknown. An essentially precarious, deterritorialising complexification, constantly threatened by a reterritorialising subsidence; above all in the contemporary context where the primacy of information fluxes that are machinically engendered threaten to lead to a generalised dissolution of old existential Territorialities. In the early phases of industrial society the "demonic" still continued to flower, but since then mystery has become a rarer and rarer commodity." (18-19)Guattari, Félix. "On the Production of Subjectivity." In Chaosmosis: An Ethico-Aesthetic Paradigm, trans. Paul Bains and Julian Pefanis, 1-32. Bloomington: Indiana University Press, 1995.
Wednesday, September 12, 2012
Obedece o sufre
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| Imagen tomada de salonkritik |
Etiqueta(s):
Media,
Política,
Puerto Rico
Friday, August 24, 2012
Empire of Precariousness
A subject interrupts daily routine through an assault at a landmark building in New York City. Shots rang on the streets, 10 individuals were hurt and in split seconds media outlets storm the scene. A question jumps from the lips of those present and is channeled through the journalists piecing together of the puzzle: was it a terrorist attack?
The media's insistence that what took place this morning in the Empire State Building is "not terrorist related" underlines the precariousness of being, the heightened sense of frailty that lies in this present. Life is terror and our existence is a struggle for refuge against fear and anguish. However, our sense of normality is mediated by convincing ourselves that we are safe. Safety, then, is only achieved temporarily as a process. It is a fiction we construct as an oasis in the midst of a desert, although this oasis is more precisely a mirage.
The media's insistence that what took place this morning in the Empire State Building is "not terrorist related" underlines the precariousness of being, the heightened sense of frailty that lies in this present. Life is terror and our existence is a struggle for refuge against fear and anguish. However, our sense of normality is mediated by convincing ourselves that we are safe. Safety, then, is only achieved temporarily as a process. It is a fiction we construct as an oasis in the midst of a desert, although this oasis is more precisely a mirage.
Etiqueta(s):
Crítica enred(ada),
Empire,
Media,
Mourning
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