"In this conception of analysis, time is not something to be endured; it is activated, oriented, the object of qualitative change. Analysis is no longer the transferential interpretation of symptoms as a function of a preexisting, latent content, but the invention of new catalytic nuclei capable of bifurcating existence. A singularity, a rupture of sense, a cut, a fragmentation, the detachment of a semiotic content – in a dadaist or surrealist manner – can originate mutant nuclei of subjectivation. Just as chemistry has to purify complex mixtures to extract atomic and homogeneous molecular matter, thus creating an infinite scale of chemical entities that have no prior existence, the same is true in the 'extraction' and 'seperation' of aesthetic subjectivities or partial objects, in the psychoanalytic sense, that make an immense complexification of subjectivity possible – harmonies, polyphonies, counterpoints, rhythms and existential orchestrations, until know unheard and unknown. An essentially precarious, deterritorialising complexification, constantly threatened by a reterritorialising subsidence; above all in the contemporary context where the primacy of information fluxes that are machinically engendered threaten to lead to a generalised dissolution of old existential Territorialities. In the early phases of industrial society the "demonic" still continued to flower, but since then mystery has become a rarer and rarer commodity." (18-19)
Guattari, Félix. "On the Production of Subjectivity." In Chaosmosis: An Ethico-Aesthetic Paradigm, trans. Paul Bains and Julian Pefanis, 1-32. Bloomington: Indiana University Press, 1995.
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